The Shang and Zhou Dynasties

The Shang and Zhou DynastiesThe Shang and Zhou Dynasties
  1. Redding of Bronze Ware of the Shang and Zhou dynasties in Hunan Province

    湖南商周青铜器精品解读

  2. Jade Tigers of the Shang and Zhou Dynasties

    商周时期的玉虎

  3. Bronze vessels cast during the Shang and Zhou dynasties are almost the finest in the world in design and technical perfection .

    商、周时期铸造的青铜容器在样式和技术上几乎是世界上最好的。

  4. During the Shang and Zhou Dynasties art is for utilitarian purposes for the slaveholders .

    商周至先秦时期的艺术家的工作是为了实现奴隶主贵族实用功利目的;

  5. Pottery development in the Shang and Zhou dynasties was mainly grey-either grey clay pottery or grey sandy pottery .

    商周时期陶器的发展以灰色为主&灰土或灰沙陶器。

  6. There are the Shang and Zhou dynasties in Chinese history , which belongs to " the bronze age " in the archaeology .

    我国历史上的商周时期,属于考古学上的青铜时代。

  7. Metal metage coins prevailed in the Shang and Zhou Dynasties , but the name of metage coin was called later .

    商周时期,我国流行金属称量货币,是大家所熟知的。

  8. From the Shang and Zhou Dynasties to the present , after more than 2000 years history , courtyards have evolved into a kind of mature and systematic space pattern .

    从商周时期到现在,历经两千多年的历史,院落空间的组合方式已演进成为一种成熟、系统的空间形态。

  9. Chinese auspicious patterns originated from the Shang and Zhou dynasties , took shape in the Qin and Han dynasties , developed in the Tang and Song dynasties , and matured during the Ming and Qing dynasties .

    中国的吉祥图案源于商周,始于秦汉,发育于唐宋,成熟于明清。

  10. In this paper , the Shang and Zhou dynasties believed in the object placed in the dynamic system to compare the study to show this period , the Shang and Zhou theocratic beliefs and continuation of the dramatic changes .

    本文通过将商周两代所信奉的对象置于动态系统中加以比较考察,呈现出商周这一历史阶段神权信仰的赓续性与剧变性。

  11. The Shang and Western Zhou Dynasties in Chinese history is the very important period on development of bronzes . During this period , the bronzes experienced the occurrence , prosperous and growing procedure .

    商代和西周时期是古代青铜器发展的重要时期,在这一时期,青铜器经历了发生、兴盛和继续发展的过程。

  12. The following Shang and Western Zhou dynasties saw further development of the slave society .

    继夏之后兴起的商、西周,进一步发展了奴隶制度。

  13. Preamble , including academia , research status of T ' ao-t ' ieh and dragons of the bronzes of Shang and Zhou dynasties , the significance of the topic of this article , research methods and innovation .

    前言部分包括学术界关于商周时期青铜器上的饕餮纹和龙纹的研究现状、本文的选题意义,研究方法和创新点。

  14. Bronze closely linked with the culture form of Shang and Zhou Dynasties , especially the sacrifice ware .

    青铜器和商周文化形态紧密地联系在一起,其中礼器最具代表性。

  15. This article also proposes directions for future research on the armorial inscriptions on Shang and Zhou dynasties bronze vessels .

    并对今后族徽文字研究的重点和方向提出了几点建议和设想。

  16. Compared with pre-Zhou bronze culture , the bronze culture of Shang and Zhou Dynasties south of low reaches of Changjiang had its unique and high-lever characters , and it had great difference from the culture of pre-Zhou and Western Zhou Dynasties .

    江南地区的商周时期文化与先周青铜文化进行比较,能够发现本地区的青铜文化不仅具有明显的独立性和相当高的水平,且与先周乃至于西周都有着相当大的差别。

  17. Taotie pattern on the bronze wares in the Shang and Zhou Dynasties is one of the most attractive topic in Chinese bronze-ware time .

    商周青铜器饕餮纹,是中国青铜时代最引人入胜的课题之一。

  18. The first interpretation of the Shang and Zhou dynasties is the animals of the different manifestations and the way of draw different animals . Traced from the period before Shang and Zhou dynasties and find the first type of these two types of ornamentation .

    首先阐释了商周时期人们对动物的认识情况和对不同动物的不同表现手法,并追根溯源,从商周时期之前的时期找到这两类纹饰的先型。

  19. Section Two discusses the disintegration of the peerage of Shang and Zhou Dynasties , the loss of the identification functions of the bronze art and its consequent secularization .

    第二节讨论商周贵族身份体系的解体、青铜艺术身份认同功能丧失的过程,以及与之相应的世俗化后果。

  20. On the Jail System of the Xia , Shang and Zhou Dynasties

    试论夏商周时期的监狱制度

  21. All kinds of patterns relating to casting process are often to be seen on the bottom of bronze vessels in the Shang and Zhou dynasties .

    商周青铜容器底部常见各种与铸造工艺有关的刻划。

  22. The fifth chapter discussed the evolution of the Shang and Western Zhou Dynasties capital city defense system and analyzes the impact of its .

    第五章讨论商与西周都城防御体系的演变并分析其所造成的影响。

  23. Search on the Six-Symbol Divination Method in the Digital Diagrams of Shang and Zhou Dynasties

    商周数字卦之用六象筮法考&对张政火良先生易卦源于筮数论的初步证伪

  24. The wooden box-featured furniture emerged as early as the Shang and Zhou dynasties and has been in development with the change of dynasties .

    木质箱盒类家具出现的年代很早,商周时期就有其身影的出现,随着朝代的更替,一直在发展中。

  25. By comparing the six-digit numbers inscribed on the vessels of the Shang and Zhou dynasties and some received literature related , we can find the sixty-four hexagrams made up of two kinds of symbols should have come into being at the turn of the Shang and Zhou dynasties .

    将见于商周器物上的数字卦与传逝文献的有关记载结合起来分析,商周时期应已存在用两个符号记写的六十四卦体系;

  26. The Change of King 's Power Thought During the Shang and the Zhou Dynasties

    论商周君权思想的变化

  27. Study of the Decorative Pattern Construction on Bronze Wares in the Shang and the Zhou Dynasties

    商周青铜器装饰纹样构成形式研究

  28. The earliest porcelain appeared in the slave societies of the Shang and Zhou Dynasties .

    瓷器最早出现于商代和周代的奴隶制社会。

  29. The project of division of the history of the Xia , Shang and Zhou Dynasties focuses on chronological problems .

    夏商周断代工程集中解决的是年代学问题,因此,当时讨论的考古文化只涉及河南、河北、山西、陕西和北京等地区,山东不在其列。

  30. Project of the Chronology of Early Chinese History in the Xia , Shang and Western Zhou dynasties , using series of samples and ( 14 ) ~ C dating , ascertains the periodization skeleton of Xia , Shang and Western Zhou dynasties .

    夏商周断代工程采用系列样品进行(14)~C年代测定,得出了夏商西周的年代框架,与考古遗址相对应,解决了三代考古学的分期。